© July 1999, Emmett Chapman
Past Epochs
The cross was a powerful symbol from the very start of Christianity some
2000 years ago. In astrology a cross is never benign, but considering the
Piscean/Jovian symbolism of the Christian cross, and the Virgin symbol of
feminine divinity resonating from Virgo at the bottom of this axis, we have
experienced as benign a cross as possible.
The four mutable signs with their divided symbolism can best accommodate
and tolerate the cross, including Gemini and Sagittarius at the shorter
horizontal arms of the cross. With Pisces at the head of the cross (as
with the stellium "Star" of Bethlehem in Pisces at midheaven), the mutable
cross is of the mind, inward and philosophical in nature, not at all like
the powerful fixed cross now assembling itself above us (a second cross
with a total solar eclipse at its head for "every eye to see").
The sign of Pisces has been the source of religious and cultural symbolism
for the past two millenniums of Christian influence in Western
civilization. The precession of zodiacal signs at the equinoxes is the
largest cycle known in astrology, 25,800 years, and is the only cycle that
moves backwards through the signs. The world is now on the cusp of
Aquarius, a fixed sign, fixed air, what can it be? The man symbol is
carrying something in a vessel, but Aquarius is not a water sign. What
then is "fixed air", and what do those parallel "waves" symbolize for this
puzzling sign?
The precession of the equinoxes is caused by a gradual change in the
direction of the earth's axis, a shift of 30 degrees, or a full sign of the
zodiac, approximately every 2150 years. The three wise astrologers
plotted coordinates which no doubt placed the closest conjunction of all
three known outer planets (those outside of earth's orbit) at the
midheaven. They no doubt knew that such a stellium of Mars, Jupiter and
Saturn in the sign of Pisces would symbolically usher in the Piscean age
and they came to Bethlehem to give recognition to whoever would be born at
the moment the "star" of tightest conjunction was directly overhead.
Religious symbols of that time were quickly reformulated from
individualistic Arien to collective Piscean values. The Arien dispensation
of law and the ritual of lamb sacrifice was replaced with Piscean grace,
the ritual of baptism and an incredibly new kind of sacrifice. In
transition, some older symbols remained but were transformed in meaning.
The shepherd, the flock of sheep and the Lamb of God of the New Testament
were derived from Arien symbols of the previous age, the spirit of which
had already shifted to Piscean collective values. (The fisherman and a
school of fish would have conveyed the new metaphor much better, I would
contend, and the lamb had become a human Lamb.)
Astrology has been an abundant source of religious symbols, beliefs and
rituals going back at least 6000 years in the recorded history of Western
civilization. Before the age of Aries there were the Taurean symbols, the
Golden Calf, the sacred cow, and the slaying of the bull by the God Mithras
around 2000 BC. as the spring equinox was moving out of the constellation
of Taurus and into Aries.
Dual Rulerships
The ancient astrologers knew Pisces to be the female sign of Jupiter's
rulership. I must explain at this point that the multi-layered geometry of
ancient astrology is a beautiful thing! Not only do you have the twelve
signs arranged in patterns of four threes (the elements), three fours (the
qualities) and two sixes (the gender), but there is a superimposed linear
pattern of planetary rulerships, a male and female sign for each planet.
If you consider Sun and Moon to be the male and female counterparts of one
entity, respectively ruling Leo and Cancer at the center of a spectrum,
you'll find the male and female rulerships of Mercury on either side
(Gemini and Virgo), the male and female rulerships of Venus on either side
of those of Mercury (Libra and Taurus), and so on with all the planets as
they are actually positioned in orbital distance from the Sun, each ruling
a masculine and feminine sign, out to Capricorn and Aquarius at the far
ends, which were regarded by ancient astrologers as being under the
rulership of Saturn, the outermost planet at the time.
Bring the ends of the spectrum together and you have the "wheel" of a
standard chart with Saturn's pair of signs opposing Sun and Moon signs.
Also, Venus' and Mars' signs oppose each other, as do Jupiter's and
Mercury's signs. If you draw a straight line connecting the signs Cancer
and Leo (as you would draw a line for a semi-sextile aspect), and then draw
parallel lines connecting the pairs of signs ruled by each successive
planet, out to Saturn connecting Capricorn and Aquarius, you'll have
something resembling uniform "latitude lines" across the circular chart.
The beauty of this ancient system is that any sign can be quite completely
described by the symbolism of its geometry, that is, by its combined
membership in a triplicity, a quadruplicity, a gender group, its numbered
position in the cycle of twelve signs, and in the above described spectrum
of alternating male/female, female/male pairs of planetary rulerships.
All of the main Christian religions have reflected the feminine side of
Jupiter throughout the age of Pisces, focusing on the central themes of
piety, grace regardless of merit, faith regardless of knowledge, acceptance
of heavenly (and earthly) rewards, forgiveness, modesty, and a passive,
quiet, inner attitude of prayer. Purity and innocence too, are Piscean
attributes, though resonating strongly with Virgo (sign of the purists) at
the other end of the axis. We're so used to these Christian virtues that
most of us no longer recognize how extremely Piscean they are.
This is all about to change, or rather to explode, as the fixed grand cross
of August 11th, 1999, accompanied by a sharp fixed T-square and the total
eclipse of the Sun seen over Europe, the Middle East and India in its own
sign Leo, heralds the cusp period of the new age of Aquarius (a fixed sign
and masculine expression of Saturn) with its radically new symbology to
guide collective "intelligence" to the next level in the precessed cycle.
Nostradamus
A stellium, though spectacular in the sky as was the Star of Bethlehem, is
like a new moon or any other conjunction, in that it signifies a "seed"
time, an inner awareness of a new cycle, and a resolve. A grand cross, by
contrast, is a powerhouse, and Nostradamus gave this one of summer 1999 top
billing. Still, he saw it only as a very powerful and focused T-square
with the obscured Sun centered at the "trigger" position, sharply squaring
both "malefics", Mars and Saturn. Living in the mid 1500s, he couldn't
have charted the movements of Uranus or Neptune, as they had not yet been
discovered.
What he didn't know was that these outer pair of "transcendent" planets
would now be intimately involved at the fourth leg of the fixed cross in
the remaining fixed sign Aquarius, thereby transforming this great
astrological pattern beyond anything he could have envisioned, though I'm
sure he would have loved these slow moving planets.
Nostradamus was a medical astrologer who later encrypted his texts to
escape Church scrutiny. He was mainly an astronomer, however, who made
himself a "time machine" to extrapolate the planetary motions far into the
future in search of major recurrent patterns. Saturn as the slowest
orbiting body was his index for sorting out less significant events
(without Saturn the configuration wouldn't be as comprehensive). My
feeling is, if he had gotten just a couple of "snapshots" of Uranus' or
Neptune's movements, he might well have upgraded his time machine for yet
more distant travel, concentrating on larger prophesies over wider
intervals of time.
A Personal Note
Amid the daily absorption with paperwork, occupational deadlines and
administration of life's tedium, let's take a moment to be aware of the
largest natural clock and calendar we have around us, the solar system.
Let's not be distracted by all the media attention paid to Y2K and other
man made clocks. There's a larger computer clock setting the script of
symbolic cues for collective man, and it measures time and history with
nine hands on a face with twelve divisions.
I for one have got an extremely busy, non-stop daily schedule as a musical
instrument manufacturer, designer, teacher and concert performer, all
centered around a ten stringed, two-handed tapping, bodiless, electric
stringed instrument that I created 25 years ago. By now I've built over
5000 of these in various models and tunings, and am known in musical
circles around the world for the instrument I build and for the novel
playing method I created for it, now widely used by many excellent
performing and recording artists.
With the able research and assistance of my daughter Diana, who has long
experience as a professional Yoga instructor and as an amateur astrologer,
I've taken on this project as my first written astrological work. I feel
the pressure and the obligation to cut through to the most gripping world
theme as I see it, and not to skirt around the peripheries of "the main
event" as esoteric authors often do. Though never a professional
astrologer, I have been analyzing birth charts of friends and family (as
gently as possible) for over 40 years as an occasional but enduring hobby.
I've maintained a painful agnosticism on the subject, as I have in my
religious views, but am nonetheless fascinated with both subjects. To hear
me talk, you might think I was a believer, but in truth, I don't know
myself how much I believe or disbelieve. I do know that I love closed
geometric systems fraught with symbolism, as with music theory and
astrology (which share many graphic correspondences, by the way).
The New Epoch
Let's now get ourselves settled and take a good long look at the current
astrological event of greatest proportions, a second cross, this time a
fixed cross - cross fixed, crucifix! It's not a tangible and material cross as used in the crucifixion of the
ultimate sacrificial Lamb (dramatically portraying the end of the Arien
Epoch in much the same fashion as Mithras' slaying of the bull some 2000
years earlier). It is rather a symbolic cross of huge planetary proportions to transform
collective consciousness once again to the next level in the precessed
astrological cycle. (Remember, Aquarius was regarded as the potent male
expression of Saturn, the stern judge and scientific realist, a harshly
different image than the feminine expression of Jupiter.)
As in Biblical prophesy of the Second Coming, every eye shall look to the
sky and see this symbol of the second cross, or at least many eyes shall
see it, that is, those eyes from the southwest coast of England through
southeastern Europe and all the way to India's east coast, witnessing the
total eclipse of the Sun along its umbral path during "daylight" hours on
August 11th. What they will not see, but may somehow be aware of, is how
this exact Sun/Moon mid Leo conjunction is powered by a grand cross in the
middle degrees of the other fixed signs, and is reinforced by a T-square in
the early degrees of fixed signs. The bull, lion, eagle and man symbols
are known by astrologers to represent the four fixed signs, and are cited
as the "beasts" in the fourth Book of Revelation, seventh verse. (I was
raised with this beastly symbol of the apocalypse in a small San Fernando
Valley Pentecostal "Four Square" church in the late '40s, where every Bible
displayed the square logo with the heads of these four creatures protruding
from each side of the square.)
Now the Epoch Eclipse is in self-assembly, the slowest planets moving into
place first. A slow and newly direct Mars in Scorpio opposes Jupiter in
Taurus from July 5th forward, with Neptune squaring from Aquarius. Saturn
in Taurus squares Uranus in Aquarius from July 8th forward. Sun enters its
Leo rulership on July 23rd, and is opposed by an eclipsed Moon in Aquarius
on July 28th, the day of the first powerful "take" on the fixed cross as it
jells toward final form. Significantly, Venus goes retrograde in Virgo on
July 30th and is thereby the only planet to be sidetracked from any further
involvement in the fixed signs and the grand cross. (I don't consider
Pluto/Charon to play a part here, or even to be a member of the Sun's
planetary system for that matter, certainly not a super Mars, as I feel
that it more properly belongs to the huge Kuiper belt of icy proto-comets
and asteroids recently discovered beyond Neptune.) All else, however, is
integrated on the cross as the so-called malefics Mars and Saturn lock into
sharp opposition on August 9th, two days before the "Eclipse of the New
Epoch".
The Polarities
What is interesting is how the "polarities" of successive pairs of planets
(successive in orbital distance from the Sun) are arranged on this August
11th chart. As I see it, these planetary polarities express themselves as
male and female, but less so as you move away from the Sun. Thus you have
the primary polarity, Sun and Moon, in exact conjunction and parallel (the
eclipse itself) on the grand cross. Then you have Mars and Venus, also
highly polarized by gender, but with only a Scorpio Mars on the cross,
Venus being separated by the sign of its "fall", Virgo, and also retrograde
in motion. Then you have Saturn and Jupiter together by sign in Taurus,
with Saturn as part of the fixed cross and Jupiter as part of the
accompanying fixed T-square. Finally, you have Neptune and Uranus together
by sign in the remaining fixed sign of Aquarius, with Uranus as part of the
cross and Neptune as part of the T-square.
The gender characteristics of these polarities seem to grow less pronounced
with distance from the Sun, the Sun/Moon polarity itself possessing the
greatest sexual contrast, followed by Venus/Mars, of course. (Mercury is
suitably left out of this scheme, having no gender and thus no polar
opposite in is shuttle operation around the Sun.) I like to think of
Jupiter as the somewhat more female counterpart of a more masculinized
Saturn in this ancient system of balanced opposites, and of Neptune as
subtly more female in influence than its vaguely male counterpart Uranus.
Sexual or not, these pairs can nevertheless be considered as polarities,
that is, similar opposites, and each polarized pair happens to be joined
together by sign on this summer's grand cross, each partner in each pair
strengthening and tempering its opposite gender, all except for Mars which
stands alone in its sign of rulership.
Such an unrestrained Mars occupying a lone position on the cross, with
polarized planetary pairs at all other legs of the cross, must have been on
Nostradamus' mind when he said about this astrological event (which he
placed "in the year 1999 in the seventh month") that "Mars shall reign
supreme", that "Mars rules triumphantly", and, "From the sky there comes a
great king of terror." A severely weakened Venus is separated from this
fixed grand cross/T-square configuration, and is therefore not available as
a balance to Mars.
A grand cross is regarded by astrologers as allowing no way out, and
therefore remaining strangely stable under stress, that is, until it acts
explosively. Mars in its Scorpio rulership, minus its feminine counterpart
Venus, could be the imperfection in the "crystalline" structure, the crack
in the squared framework, that sets it off. A T-square, on the other hand,
acts always to provide a particular goal, and like a bow and arrow it aims
its driving discord at the missing sign, which again is Scorpio as seen
from the T-square portion of the crossed chart. This must be why
Nostradamus predicted events of this summer in such martial terms.
The Method
My daughter Diana and I, trying to be wise astrologers, started looking for
coordinates to find where this world event would have a focus of
expression. Should we cast a solar chart with the eclipse at the degree of
the ascendant? No, a total eclipse is a highly visible and dramatic event,
especially at midday. Should we cast many charts for the moment of exact
eclipse as seen from major cities around the world? No, all houses, cusps
and angles would end up in the aggregate as being equally important. We
figured that in order to gain any additional information about an
astrological event that is supposed to affect the world, we must have a
single horoscope of an actual location, with a definite placement of the
fixed cross on the standard matrix of houses, cusps and angles.
We decided to observe the ancient method of "the three wise men" and make a
midheaven chart for the most exact moment of the solar eclipse, wherever in
the world it would be seen directly overhead. We found that the eclipse
would exactly conjunct the midheaven at 13 East 49 degrees of longitude,
somewhere in middle Europe. We looked up and down that longitude and found
Rome (12 East 29) to be the major city closest to the line. A horoscope
for Rome puts the midheaven at 17 Leo 0', within one and a third degrees of
the solar eclipse at 18 Leo 21'. (The most exact midheaven point for the
eclipse at Rome's latitude falls some 60 miles east of Rome in the central
mountainous spine of Italy at 13 East 50.)
We knew that the eclipsed Sun's shadow path would sweep east-southeastward
across middle and southern Europe, crossing the line of Rome's longitude
with the umbral center some six degrees north of Rome in latitude, close
enough for those in Rome (and in the Vatican City just two miles west of
Rome city center) to see over 80% of the Sun eclipsed at the midheaven.
We first engaged in what I would like to call "honest discovery", casting
midheaven charts for "significant" cities, moving eastward from Belgrade to
Leningrad, Jerusalem, Baghdad and Tehran. We actually missed Rome, and
when nothing meshed at midheaven and angles for these other cities we
finally found the perfect correspondences at Rome.
On August 11th, 1:10 PM CED, the exact solar eclipse is one degree from the
midheaven at Rome and in the 10th house at 18 Leo 21'. Mars is angular and
conjunct the ascendant at 16 Scorpio 51'. Saturn is angular and conjunct
the descendant at 16 Taurus 52'. And Uranus is angular, retrograde, and
conjunct the nadir at 14 Aquarius 39'. This is a sharp grand cross, very
close by degree, angular in position, and occupying middle degrees of the
fixed signs. And it's reinforced by the T-square of Mercury at 0 Leo 9',
Jupiter at 4 Taurus 40', and Neptune retrograde at 2 Aquarius 33'. If you
give a wide orb to the ascendant at 8 Scorpio 33', you have another grand
cross out of this T-square, again angular by sign. In fact, the entire
chart for Rome is angular by sign, except for Venus (and not including
Pluto).
"Why Rome?", we asked each other. We're not Catholics. And I left all
those Four Square evangelists' prophesies behind me long ago as I moved on
into rational adulthood, or so I thought. Rome? The Vatican? I felt
disappointment that the Age of Pisces would have such a "boilerplate"
ending (reminiscent of fundamentalist prophesies I'd heard since
childhood). Nevertheless, Rome is the place where the Sun will be eclipsed
at solar noon in its own sign, and where the crosses of this magnificent
planetary configuration and of the cardinal points engage each other,
greatly amplifying the fixed quality of this chart.
Interpretation
Ordinarily, astrologers give a solar eclipse a year to play out in world
affairs. Given the horoscope of this eclipse, however, I'd say it's going
to get off to a quick start, as well as having a lasting effect well into
the new age. I'd like to offer the broadest, most generalized predictions.
I see the four fixed signs as exerting their influence primarily upon man
made institutions, and not so much upon affairs of the mind as in the case
of the four mutable signs, or upon earth's cataclysms as in the case of the
four cardinal signs. Thus, Taurus governs the economy, Leo the political
structure, Scorpio the military, and Aquarius the church and religious
orders.
Further, I see the Sun/Moon polarity in Leo at the midheaven as signifying
a living ruler who is thought to be capable of saving the world from
institutional disruption. Opposing this is the Uranus/Neptune polarity in
Aquarius at the nadir, which I see as the sponsorship of this ruler by a
church or religious order, the nadir signifying the underpinnings, the
spiritual fountain of strength arising from this transcendent planetary
pair in a transcendent sign. Squaring all of the above is the
Saturn/Jupiter polarity in Taurus at the descendant, signifying world wide
economic disruption, as these planets are associated with fortune or lack
of it, and occupy the sign of worldly goods. And squaring from the other
side at the ascendant to form the complete grand cross is Mars (a
singularity here) in Scorpio, signifying war.
This "Four Square" dilemma is completely man made, as I see it, a fourfold
crisis of man's institutions world wide. It reveals our human inadequacies
as we struggle to find some kind of intelligent control over our own
collective behavior. Since history has shown that the enlightened
self-interest of each individual (the rational mind) doesn't necessarily
benefit society, and since we lack the clear-cut instinctual advantages of
your average ant or bee, we must therefore discover or invent some other
non rational means of forming a community and serving each other. It has
always been the complex geometry of the solar system that has fed us our
symbols and directives, religious in tone, replacing animal instinct.
A Lunar Eclipse
There is yet another power amplifier at work in this summer's developing
grand cross, and that is the relatively slow movement of all planets
involved. The four slower moving planets are all prominent members in the
pattern, and the faster planets, Mercury, Venus and Mars, have all been
slowed down by way of recent stationary and retrograde motion. The net
effect is that the grand cross stays around longer, restructuring itself in
various "takes". It is thus already well formed and sharply aspected two
weeks earlier during the lunar eclipse of July 28th, with Sun in 4 Leo 57',
two degrees from the midheaven of 7 Leo 01' (again at Rome, of all places).
Of course the eclipsed Moon is in the same degree of Aquarius, conjunct the
nadir. Mars at 9 Scorpio 37' is squaring this Sun/Moon opposition from the
1st house, as does the ascendant at 0 Scorpio 47'.
The charts for both the solar and lunar eclipses are strikingly similar
because of the slow-motion quality of all planetary movement during this
entire period. The main difference is that the smaller T-square of the
solar eclipse (Jupiter squaring an opposed Mercury and Neptune) is part of
the grand cross of the earlier lunar eclipse. Thus in the lunar eclipse,
it is Jupiter in 3 Taurus 45' (instead of Saturn) that squares Sun, Moon
and Mars (perhaps presenting an overly optimistic picture of things to
come). Also, the eclipsed Moon is conjunct Neptune at the nadir, and the
midheaven Sun is conjunct Mercury. Again, all bodies are angular by sign
and in fixed signs, except again for stationary Venus in Virgo.
During the later solar eclipse the cross becomes more intense by locking in
on the very slow and powerful Saturn/Uranus fixed square, Saturn replacing
Jupiter on the cross, and Uranus replacing Neptune. The replaced planets
remain on the adjoining T-square with Mercury, recalling their earlier
prominence in the lunar eclipse's grand cross.
Horses and Riders
"Apocalypse" is the Greek word for "revelation" and has been passed down
through sacred Latin and old French into present day English. "The
Apocalypse" is also another name for the Book of Revelation by Saint John,
the last book in the New Testament. In the sixth chapter of Revelations
the four "beasts" announce four horsemen. My interpretation is, the beasts
are the horses, but with heads symbolizing the fixed signs. The fixed
signs are the powerhouse, the driving engine of astrology. The engines of
those times were horses - horsepower! The four beasts with heads of the
fixed signs were collectively represented as horses, the symbol of power.
Since they were not really horses, but rather "beasts" with individual
heads of a bull, lion, eagle and a man, they had voices with which to
announce their respective riders. The riders themselves are the planetary
Gods which occupy each of the fixed signs in the grand cross this August
11th. The beasts reveal the riders by their planetary colors and by their
proclivities. Thus, the first horseman of the apocalypse rides a white
horse (white light is composed of the entire combined spectrum of colors
visible to the eye, from magenta to indigo, and signifies the Sun). He
wears a "crown" and holds a weapon of some kind ("a bow"), and goes forth
conquering (this must be the Sun in regal Leo, and at the midheaven point
of public authority in the horoscope for Rome).
The second horseman rides a red horse (Mars) and has a "great sword". He
is described as having the power to create war (Mars in its Scorpio
rulership, and at the ascendant for Rome). The third horseman rides a
black horse (the absence of all light in the color spectrum, signifying
Saturn, the Sun's Nemesis), and holds a scale with which he measures basic
foodstuffs, bread, flour and barley, and warns of scarce supplies of the
luxuries, olive oil and wine (Saturn in Taurus on the cross, indicating a
"belt tightening" period of restricted world trade).
The fourth horseman rides a pale horse (there are no colors for the Gods
Uranus and Neptune, who had not yet been embodied in planetary form, Saturn
being the outermost planet known at that time). Some astrologers have
assigned these two outer planets some very strange "colors", translucent,
pearlescent, refractive, hinting perhaps at some form of shifting harmonics
in the visible range that are generated by frequencies vibrating well
outside of the light band of the electromagnetic spectrum.
This fourth member of the Apocalypse is actually described as two horsemen,
one named "Death" followed by another named "Hell". Such frightening
designations might well be used to characterize unknown planets with
unknown colors, not clearly seen in Saint John's revelation (and not seen
at all in Nostradamus' predictions). Neptune and Uranus are together in
Aquarius as the two "horsemen" occupying this fourth leg of the cross, and
in our chart cast for the solar eclipse at Rome they are at the nadir,
which I interpret as the ecclesiastical "seat of power".
What to make of this mysterious pair of horsemen under the fourth seal, who
are supposed to control one fourth of the earth? (Uranus and Neptune
control one fourth of the grand cross in this summer's configuration.) The
first three horsemen have obvious connotations, a ruler, a world depression
and a war. These are familiar albeit discomforting concepts, but what does
the drastic fourth symbol have to offer? I would have to say, it
represents the unknown, the unfathomable, the new epoch of Aquarian
"religious" symbolism to be delivered to the world by way of the fixed
cross - not a very pleasant birth, but the baby is strong.
A King
And finally we come to a living man (Sun conjunct Moon in Leo at
the head of the fixed cross). A ruler? A savior? Maybe not a
king, but treated like one (Leo). There is someone out there who fits the profile - a solar
eclipse inside of a fixed stellium, opposed to a fixed Uranus at the
vertical angles, and squaring a powerful planet on a Scorpio ascendant.
Does any of this sound familiar?
In Europe this person would have been born February 5th, 1962, and would
now be 37. In Rome the time of his birth would have been 1:00 AM CET, the
moment of that eclipse. The angles were occupied by the middle degrees of
the same fixed signs in the same positions as on this year's cross of 1999.
All bodies (including Venus but not considering Pluto) occupied fixed
signs. The Sun and Moon were conjunct in 15 Aquarius at Rome's nadir, one
degree away from Uranus' position on this year's cross. Uranus, on the
other hand, was in Leo conjunct Rome's midheaven, a position the eclipsed
Sun will hold on this year's cross. In other words, Uranus and the
eclipsed Sun have traded places, both by sign and by angular position.
Furthermore, both the 1962 and 1999 charts maintain the square from
Scorpio. In 1962 the square was from Neptune and the ascendant in 13 and
14 Scorpio respectively (as opposed to this year's Mars and ascendant
squaring the grand cross). On both charts, Scorpio exerts a dynamically
discordant influence on the Leo/Aquarius opposition of Uranus and eclipsed
Sun.
The stellium of 1962 is intriguing in that every planet from Mercury out to
Saturn was in Aquarius, including Sun and Moon in their solar eclipse.
Only the outer pair, Uranus and Neptune, were in other signs, respectively
opposing and squaring this stellar grouping from fixed signs. Moreover,
this stellium was stitched together very tightly by what I'd like to call
"singular pairs" (as opposed to "the polarities" described earlier). Thus,
the "malefics" Mars and Saturn were respectively at 2 and 3 degrees of
Aquarius, the "benefics" Venus and Jupiter were respectively at 17 and 18
degrees of Aquarius, and of course the "luminaries" Sun and Moon were
exactly at 15 Aquarius 42'. Only Mercury in this scheme of things doesn't
pair up, neither with like kind nor with opposite kind, but at 17 Aquarius
it does closely conjunct four other bodies!
Onward
When you superimpose the above three charts for Rome, simultaneously
viewing the horoscopes of the lunar eclipse, the solar eclipse, and some
sort of a ruler born in 1962, the picture jells - an overwhelming
confluence of highly focused energy in the fixed signs at the angles, each
chart having a "command presence", a head, an "eye contact" with the world
through the Leo/Aquarius eclipses.
Of course, these three highly integrated planetary configurations need not
be exclusively cast for Rome, as they also stand alone, independent of any
location on the globe, to usher in the new epoch of Aquarius.
Public fantasies about the "end of the world" abound on film and TV, in
churches and on the Internet. If Y2K doesn't get you, Armageddon will, or
maybe it will be planet Earth itself having had enough of us all. I'd
rather deal symbolically with the subject (as you might have guessed by
now), as symbols give rise to ideas, giving rise to words, which affect
human deeds world wide, transforming world culture. Symbolism is in fact
the main form of group thought, of collective intelligence, and symbolic
rituals are the group directives, putting muscle to the mind. This is why
religions have always been around.
The frustrating paradox is this. Our individual brains are very smart,
eminently rational, and we carry a good part of the universe around with us
(in our heads). At the same time, our communities and societies are mute
and incapable of rational thought. And here's the rub, man is an intensely
cultural animal (as acknowledged in the legend of Tarzan). Therefore, we
are inextricably bound to our collective groupings, and I would say that
(at least) half of our instincts and emotions have evolved for the group, not for
ourselves. I'd also contend that the concept of private property should
begin just beyond the boundaries of ones own skin (ownership starting from
your wardrobe outward). My feeling is, we don't really "own" ourselves in
the capitalistic sense, and no person should ever be for "sale" in any
sense of the word. We are for others. Collective human culture is a life
form in itself, though presently stunted in instinctual development.
There I've said it (obligatory message content). If there's to be any "end
of the world" before we move on to some new territory, I hope it will
merely be an end of world history, that is, mainstream history as we know
it. That might be a good thing, as history has often been "produced" by
the powerful to distort the facts in their favor.
For better or for worse, our agreed upon history has the effect of
structuring our sense of time in a linear flow. In the epoch of Aquarius,
history may well be "written" in a different mode, simultaneous, static
state, like an electronic circuit, or a dream - the ''eternal" mode (John
Lennon, "Imagine all the people...") Or we might just live it (so typical
of Aquarius), and not explain it. I, on the other hand, with my
Pisces/Virgo oppositions at the vertical angles (Saturn and Moon conjunct
the midheaven in Pisces, opposed to Neptune in Virgo, and squared by
Jupiter in Sagittarius, Sun in Libra), must explain things endlessly.
Aquarian souls would only laugh.
Emmett Chapman can be reached at: stick@earthlink.net
